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The Latest Issue

Foundation 151, 54.2 (autumn 2025)

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Paul March-Russell: Editorial

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Lyu Guangzhao: The Chinese (Un)Dream: Chinese Nationalism and Political Narrative in Han Song's 'My Country Does Not Dream'

Michael Jadick: Imagining Spaces of Catastrophe in China Mieville's Bas-Lag Trilogy

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​Special Section: Women in the Black Fantastic​​

Joy Sanchez-Taylor: Blood Magic is Not Always Black Magic

Addison R. Cox: Through the Stars and Seas: Adaptation, Reproduction and Co-Creation in Midnight Robber and The Deep

Kayoko Takegoshi: The (In)visibility of Black Women and AI in Nnedi Okorafor's 'Spider the Artist'

Martha Zornow: Full Ride to College, But at What Cost?: Subjects at Imperial Educational Institutions in Binti and The Fifth Season

Jasmine H. Wade: Antiblackness and Settler Colonialism in N.K. Jemisin's Broken Earth Trilogy​​

Julia Reade: The Ontological Weight of Names in Octavia Butler's Parable of the Sower

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Features

Nisi Shawl: The Fourfold Library (22): Suzy McKee Charnas, Walk to the End of the World

Sheree Renee Thomas: The Profession of Science Fiction, 65: The Ark in the Bones of History

Tom Dillon: Decolonising the Science Fiction Collections

Paul March-Russell: Talking My Riddels: A Conversation with Dominic Power

Agnieszka Kotwasinska and Joanna Kaniewska: conference report: Forgotten, Misplaced, Marginalized

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Book Reviews

Ali Baker: Lavie Tidhar and Richard Watson, The Children's Book of the Future

Gwyneth Jones: Paul March-Russell, J.G. Ballard's Crash

Paul Kincaid: Mark Bould et al, eds. The New Routledge Companion to Science Fiction

Nikhil Singh: Eugen Bacon, ed. Afro-Centered Futurisms in Our Speculative Fiction

Harry Beck: Maud Woolf, Thirteen Ways to Kill Lulabelle Rock

Paul Anthony Knowles and Samantha Cassells: Jane Rogers, fire-ready

Faye Lynch: Sierra Greer, Annie Bot

Paul March-Russell: Julia Armfield, Private Rites

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Media Reviews

Merry Byrd: Boon Jong Ho, dir. Mickey 17

Alexandre Desbiens-Brassard: Anthony and Joe Russo, dirs. The Electric State

Andrew M. Butler: Mark Simpson, ZEBRA

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